GENGA #001 2004
marker on xerox paper, h210 x w297mm
GENGA #002 2004
marker on xerox paper, h210 x w297mm
GENGA #001 - #1000 2004 - 2009
marker on xerox paper, installation view at 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, Japan), 2009, Photo by Kazuo Fukunaga
GENGA #001 - #1000 (book) 2010
1000-page book, h156 x w110 x 60mm
installation view at Karl Johans Torg (Stockholm, Sweden) 2004
installation view at Uplink Gallery (Tokyo) 2004
installation view at Yinchuan Museum of Contemporary Art (Yinchuan, China) 2015
GENGA #001 - #1000 (video) 2009
single channel video (28min 10sec [loop]), installation view at Aomori Contemporary Art Centre (Aomori, Japan), photo by Kuniya Oyamada
installation view Kunstraum Dusseldorf (Germany) 2015
The title “GENGA” refers to a word play between the words “GENGO” (language) and “GINGA” (galaxy), with “GENGA” also meaning primal or original pictures. In this work, Hiraku Suzuki draws his own lexicon of signs and hieroglyphs which echo as much his own phenomenology of place (cities, landscapes, travels) as (pre-)historical archetypes and trans-cultural psychological subconscious. Hence drawing becomes a kind of “alternative archeology”.
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GENGA #001 2004
marker on xerox paper, h210 x w297mm
GENGA #002 2004
marker on xerox paper, h210 x w297mm
GENGA #001 - #1000 2004 - 2009
marker on xerox paper, installation view at 21st Century Museum of Contemporary Art, Kanazawa (Ishikawa, Japan), 2009, Photo by Kazuo Fukunaga
GENGA #001 - #1000 (book) 2010
1000-page book, h156 x w110 x 60mm
installation view at Karl Johans Torg (Stockholm, Sweden) 2004
installation view at Uplink Gallery (Tokyo) 2004
installation view at Yinchuan Museum of Contemporary Art (Yinchuan, China) 2015
GENGA #001 - #1000 (video) 2009
single channel video (28min 10sec [loop]), installation view at Aomori Contemporary Art Centre (Aomori, Japan), photo by Kuniya Oyamada
installation view Kunstraum Dusseldorf (Germany) 2015