Excavated Reflections (Hourglass)  2018

stainless steel, motor, h2680 x w1400mm, photo by Ooki Jingu

Excavated Reflections (Mammoth Tasks) 2013

stainless steel, approx. h8000 x w8000mm

Excavated Reflections (Double Eclipse) 2015

stainless steel, h1235 x w2300mm, photo by Keizo Kioku

Excavated Reflections (Keyhole) 2015

stainless steel, h800 x w360mm

Drawing Tube #01 2017

stainless steel, h848 x w937 x d1705 mm, photo by Shinya Kigure

Drawing Tube #01 2017

stainless steel, h848 x w937 x d1705 mm, photo by Shinya Kigure

Tower of Meaning #01 2012

silver spray paint on found objects, dimension variable, photo by Keizo Kioku

Warp 2016

stone, reflector, h2000mm x w880 x d120mm

Glyphs of the Light #06 2011

casted aluminium, h370 x w300 x d50mm

Glyphs of the Light #01 2011

casted aluminium, h370 x w300 x d50mm

Glyphs of the Light #03 2011

casted aluminium, h370 x w300 x d50mm

Glyphs of the Light #08 2011

casted aluminium, h370 x w300 x d50mm

road sign-O  2002

pieces of asphalt, h2500 x w2500mm, photo by Ooki Jingu

road sign-triangle 2004

pieces of asphalt, h2500 x w2500mm, photo by Ooki Jingu

road sign-ammonite 2008

pieces of asphalt, h2500 x w2500mm, photo by Ooki Jingu

The artist’s sculptures are created following procedures based on archeological processes to contrive the inverting and reconnecting of opposing elements including the material and phenomenal, past and future, interior and exterior, and negative and positive. These works are attempts to discover new relationships between drawings and spaces, and those between signs and light.