Epigraph #01 2017

graphite on paper (frottage of asphalt) and LED, h3150 x w4200mm, photo by Shinya Kogure

Epigraph #01 (Detail) 2017

graphite on paper (frottage of asphalt) and LED, h3150 x w4200mm, photo by Shinya Kogure

Eishoji Tunnel  2017

graphite on paper (frottage of the interior of the tunnel) and LED, h3600 x w6200mm, photo by Keiichi Murakami

Glyphs of the Light (frottage) #02 2011

graphite on paper, h770 x w550mm

Glyphs of the Light (frottage) #06 2011

graphite on paper, h770 x w550mm

Glyphs of the Light (frottage) #01 - #08 2011

graphite on paper, each h770 x w550mm

manhole test (Amsterdam)  2002

dirt on paper (frottage of manholes), h770 x w550mm

manhole test (Istanbul)  2013

dirt on paper (frottage of manholes), h770 x w550mm

manhole test (Tokyo) 2002

dirt on paper (frottage of manholes), 14 pieces, each h354 × w1030mm, TOKYO ART JUNGLE - installation view at JR-Yamanote Line, photo by Ooki Jingu

Working with “frottage” technique began as a project in which the artist rubbed the signs engraved on manhole covers from cities around the world onto paper with his feet. The traces which are made through the process of contact, friction, printing and inverting the negative and positive of the image by considering the reality itself as “engravings”, cast the possible existence of another reality.